Abbey Theatre, Aidan Kelly, Bush Theatre, Irish theater, Karl Shiels, Mark O'Rowe, Theatre Upstairs
In Culture, Ireland, Theatre on February 15, 2010 at 1:45 am
Karl Shiels was very nearly famous.
Eleven years ago, he was cast in a new play by an obscure young playwright that was to open the new theatre in Tallaght. Shiels starred alongside Aidan Kelly; the playwright was Mark O’Rowe and the play was Howie the Rookie, and it was the most ferocious piece of new writing from Ireland since Tom Murphy’s A Whistle in the Dark.
After a run at the prestigious fringe venue in London, the Bush, they played the Civic in Tallaght, to opening night acclaim and then empty houses. But then they toured to New York. Read the rest of this entry »
Abbey, Mark O'Rowe, Under the Radar
In Culture, Ireland, Theatre, Travel on November 25, 2009 at 11:12 pm
‘Terminus’ is back at the Peacock in Dublin. This article was first published in the Sunday Tribune on January 13, 2008.
It is six hours before Mark O’Rowe’s play, ‘Terminus’, opens in New York. The cast are doing the technical rehearsal. They’ve never been in the theatre before.
Eileen Walsh is standing in a dim crossbeam, shrouded in mist, talking out to the audience. Mark O’Rowe is coughing. A technician is talking loudly. A couple of others are looking at dimly-lit laptops, or moving quietly through the gloom, fixing things. The two other actors, Andrea Irvine and Aidan Kelly, are sprawled on the stage, each straddling a large shard of (mock) glass, looking bored.
“The drill for several years has been bed alone, then tears.” Eileen Walsh plays against the rhythm of O’Rowe’s verse. She lets the rhyme announce itself, as if her character were unaware that there were anything distinctive about her speech. Read the rest of this entry »
Eileen Walsh, Mark O'Rowe, New York, The Abbey, Under the Radar
In Theatre on June 26, 2008 at 10:59 pm
First published in the Sunday Tribune, January 13 2008
It is six hours before Mark O’Rowe’s play, ‘Terminus’, opens in New York. The cast are doing the technical rehearsal. They’ve never been in the theatre before.
Eileen Walsh is standing in a dim crossbeam, shrouded in mist, talking out to the audience. Mark O’Rowe is coughing. A technician is talking loudly. A couple of others are looking at dimly-lit laptops, or moving quietly through the gloom, fixing things. The two other actors, Andrea Irvine and Aidan Kelly, are sprawled on the stage, each straddling a large shard of (mock) glass, looking bored.
“The drill for several years has been bed alone, then tears.” Eileen Walsh plays against the rhythm of O’Rowe’s verse. She lets the rhyme announce itself, as if her character were unaware that there were anything distinctive about her speech.
Read the rest of this entry »
